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A Deliciously Devilish Romp: “Point Loma” Serves Up Retro Horror
Off Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

A Deliciously Devilish Romp: “Point Loma” Serves Up Retro Horror

Manhattan Repertory Theatre has struck theatrical gold with Tim Mulligan’s wickedly entertaining “Point Loma,” a gleefully campy horror spoof that channels the best of 1950s B-movie schlock while delivering genuine scares and belly laughs in equal measure. Under Ken Wolf’s spirited direction, this off-Broadway gem transforms the intimate black box space of the Chain Theatre into a haunted playground where paranormal podcasters meet their match in a sinister San Diego hospice house.

Fire and Fate: Ballet Hispánico’s CARMEN.maquia Ignites New York City Center
Dance
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Fire and Fate: Ballet Hispánico’s CARMEN.maquia Ignites New York City Center

Last evening at New York City Center, Ballet Hispánico delivered a breathtaking interpretation of Gustavo Ramírez Sansano’s CARMEN.maquia, transforming Bizet’s timeless opera into a visceral contemporary dance experience. This performance marked both the 150th anniversary of Carmen and Ballet Hispánico’s 55th Emerald Anniversary season, creating a perfect storm of artistic celebration.

Stepping Back In Time: NYC’s Best-Preserved Historic Districts
Travel
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Stepping Back In Time: NYC’s Best-Preserved Historic Districts

Now, you’ve got to understand something about New York City—and I mean really understand it, not just nod your head like you’re listening to your Aunt Mildred explain her bunion surgery. Furthermore, New York isn’t just a city. Oh no, friends. Instead, it’s a giant, sprawling, honking, magnificent time machine disguised as a place where people go to make their rent and complain about the subway.

A Magnificent Journey: PACS Spellbinding “Symphonic Storytelling” Concert
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

A Magnificent Journey: PACS Spellbinding “Symphonic Storytelling” Concert

Music creates a virtual world where stories unfold not in bytes, but in glorious, symphonic narratives that transport us to realms both fantastical and profound. After all, what could be more revolutionary than sitting together to experience the communal magic of storytelling through music, that most universal of languages?

Bibliotheque NYC: Where Literature and Culinary Artistry Converge in SoHo
Dining
Sora Vernikoff

Bibliotheque NYC: Where Literature and Culinary Artistry Converge in SoHo

That Tuesday evening, the rain fell in rhythmic cascades against the windowpanes of the Bibliothèque, transforming Mercer Street into a shimmering mirror of SoHo’s cast-iron facades. In this neighborhood where fashion houses stand like sentinels guarding the secrets of style, one expects to find spaces that perform rather than simply exist. Bibliothèque performs, yes, but with the quiet confidence of a veteran character actor who does not need histrionics.

Transcendent Motion: Nai-Ni Chen Dance Company Celebrates Heritage Through Sublime Movement
Dance
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Transcendent Motion: Nai-Ni Chen Dance Company Celebrates Heritage Through Sublime Movement

The evening concluded with “Tomorrow”, featuring dancers in a harmonious blend of the evening’s palette—blue, white, red, and gray—creating a visual symphony that celebrates unity. As the final movements dissolved, the audience rose to their feet in an ovation, acknowledging the multi-dimensional artistic power of a sublime, transcendent embodiment of energy, colors, sound, and movement that unfolded before them.

Floyd Collins
Broadway
Tulis McCall

Floyd Collins

If you are Tina Landau and Adam Guettel, you would know that the premiere of Floyd Collins was presented in 1994 in Philadelphia, and 1996 was the year it premiered Off-Broadway at Playwrights Horizons.  Its Broadway premiere was a mere 29 years later and has now taken a bow at Lincoln Center.  It’s a good thing they waited so long, because Jeremy Jordan (Floyd Collins) clearly needed to grow into a man and be ready to take on the title role.

Hold Me In The Water
Off Broadway
Tulis McCall

Hold Me In The Water

Hold Me In The Water is a master class in turning a story into magic. A sense of precision runs through this production from the tippity-top where Haddad emerges from out of nowhere to the final graceful denouement where he returns whence he came.  In between, Haddad holds us in the palm of his hand.  He is a gentle guide, beginning with his description of a “Relaxed Performance.”

Just in Time
Broadway
Tulis McCall

Just in Time

It is a situation devoutly to be wished – to be saturated with artistic excellence everywhere you look for over two hours.  “Just In Time” – recently opened at Circle In The Square will do that to you.  From the moment you enter the theatre, you are surrounded by glowing blue lighting, drapes, and a cocktail table scattered across the orchestra section.  This is Bobby Darin’s world, and welcome to it.  Your host for the show is the thrilling Jonathan Groff, who makes no bones about NOT being Bobby Darin.  He is there to tell the story.  Well, SING the story might be more accurate.

Healing Mined by Theater Lab
Off Broadway
Holli Harms

Healing Mined by Theater Lab

Healing Mined is about loss and grief. Loss of a wife, a mother, a friend.  What the play does is teach us to mine our pain. Going down into the labyrinth of grief, where it is dark, deep, and so all-encompassing that life no longer feels manageable. Sleep is the only way to hide from it. But even in sleep, there are haunting images of a tsunami approaching, crashing over you, and washing you away from existence. The tsunami is the dark deep pain, because like a tsunami, pain looms in the distance and then with little warning, suddenly there it is crashing over you, drowning you, carrying you away, tumbling you in all directions. Meneses’ beautiful, heart-endearing poetic prose is the story of this tsunami pain, the deepest pain humans experience, and how we manage it, or don’t. It is a poetic fable of human resilience and beauty, and the stories we tell ourselves, the realities we create to live by.

A Deliciously Devilish Romp: “Point Loma” Serves Up Retro Horror

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