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Pirates! The Penzance Musical
Broadway
Tulis McCall

Pirates! The Penzance Musical

I am not a Gilbert & Sullivan aficionado – and it might have helped if I were.  While there are no other writers listed, there are very few musical numbers that sounded like Gilbert & Sullivan.  I know that this production has been adapted by Rupert Holmes.  What he did remains a mystery to me.  Perhaps that is the point.  This is a stylized musical that reminds a person of Gilbert & Sullivan.  Relocated to the New Orleans French Quarter, it is the tale of a Pirate King (and orphan) who has blown into town with an 8-man crew who are released upon the city to hunt down eligible women.

Celia Berk: For The Record
Cabaret
Holli Harms

Celia Berk: For The Record

Once you hear the music though, the sounds are oh so familiar, the melodies already have a place in your heart, and Celia’s vocal range will take you into the time of the heyday of jazz when life was not fraught with phones, text, emails, instagrams, and all the distractions that keep us from the beauty of the moments of everyday magic.

Sondheim’s Old Friends
Broadway
Tulis McCall

Sondheim’s Old Friends

If you don’t LIKE Sondheim, you may be suffering from some heretofore unnamed or unknown condition.  If, however, you do like/love/adore Sondheim, you might need smelling salts to get you through this two-hour extravaganza.

A Musical Time Machine: American Classical Orchestra Illuminates Mozart and Beethoven at Lincoln Center
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

A Musical Time Machine: American Classical Orchestra Illuminates Mozart and Beethoven at Lincoln Center

There are certain rare evenings when the walls between centuries dissolve, when the spirits of long-departed composers seem to hover in the air, nodding with approval as their intentions are realized with breathtaking authenticity. From the moment one opened the elegantly designed program booklet, it was clear this would be no ordinary concert. With their 19th-century accoutrements and historically accurate construction, the ACO’s commitment to period instruments transformed familiar works into vivid new sonic experiences.

Triumph of Sound and Spirit: Oratorio Society of New York Delivers Monumental Carnegie Hall Concert
Choral Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Triumph of Sound and Spirit: Oratorio Society of New York Delivers Monumental Carnegie Hall Concert

In the hallowed acoustic splendor of Carnegie Hall’s Stern Auditorium, the Oratorio Society of New York, under the masterful direction of Kent Tritle, presented a splendid concert of profound musical and spiritual significance that left one feeling intellectually enriched and emotionally transformed. The OSNY Carnegie Hall program opened with the world premiere of Paul Moravec and Mark Campbell’s “All Shall Rise” and, following intermission, continued with Mendelssohn’s monumental Symphony No. 2, “Lobgesang”—a brilliant juxtaposition illuminating the extraordinary capacity of these works to speak across centuries to our deepest human concerns. From beginning to end, this was an inspirational concert of rare distinction, accompanied by a superbly informative program booklet containing scholarly notes, complete texts, and lucid translations.

A New Take on Mahler’s Ninth: David Bernard and the Park Avenue Chamber Symphony
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

A New Take on Mahler’s Ninth: David Bernard and the Park Avenue Chamber Symphony

In the vast catalog of orchestral recordings, certain interpretations emerge as definitive statements that reshape our understanding of familiar masterworks. The new recording of Mahler’s Symphony No. 9 by the Park Avenue Chamber Symphony under David Bernard undoubtedly belongs in this rarefied category. Released by Recursive Classics to celebrate the orchestra’s 25th anniversary, this milestone recording achieves that most elusive of musical goals: making a well-known work sound freshly minted, as if the ink on Mahler’s manuscript had barely dried, delivering revelatory clarity.

Maison Passerelle: A Culinary Ode to Parisian Charm in NYC
Dining
Sora Vernikoff

Maison Passerelle: A Culinary Ode to Parisian Charm in NYC

Maison Passerelle is a place where memories are made. From the moment I stepped inside, I was transported to another world of refined elegance and culinary artistry. The experience was more than just a meal; it was a celebration of French culture and a testament to the power of food to evoke emotion and create lasting memories.

In the Unlikely Event of an Actual Emergency at the Chain Theatre
Off Broadway
Holli Harms

In the Unlikely Event of an Actual Emergency at the Chain Theatre

Fear stops us from doing our art and from being the whole person we can be, but what if we were faced with an unbelievable life-threatening moment that wakes us up to our true selves? That life-threatening moment comes to life in this remarkable true story about the World Airways Flight 30 accident on January 23, 1982. The plane skidded off the end of the icy runway and into the frigid waters of Boston Harbor.

BOOP! The Musical: A Timeless Broadway Sensation
Broadway
Holli Harms

BOOP! The Musical: A Timeless Broadway Sensation

BOOP! The Musical will enchant, delight, and have you cheering for Betty and her cast of friends, feminists, and doubters. It is the ultimate New York show about the city and the many possibilities it brings to all who choose to venture into and experience every space and backspace she has to offer, creating hand-clapping, heart-grabbing, joyful, poignantly human musical scores that lift us to the top of our skyscrapers and beyond!

Fight Night at 59E59
Off Broadway
Holli Harms

Fight Night at 59E59

Well, not his comeback so much as his actual fight. Circumstances beyond his control kept him from his battle five years ago. The fight that would have made father and family proud. This is the opening to the gripping Fight Night, now playing at 59E59 Theaters.

Pirates! The Penzance Musical

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