Off Broadway
The Eagle and the Tortoise
The Eagle and the Tortoise, now playing at BRIC as part of the Under The Radar series, is a light of love and honor to those who suffer in the realm of genocide.
Holli Harms
The Eagle and the Tortoise, now playing at BRIC as part of the Under The Radar series, is a light of love and honor to those who suffer in the realm of genocide.
The Sweet Spot, now at the postage stamp-sized Theatre C at 59E59, is an earnest play in which Alice Jankel takes us into that moment when life changes for a well-married couple.
Killin’ Republicans may sound like an extreme anti-GOP motto, but it’s a hilarious reference to American politics looking back 150 years or so. Perhaps the sequel is Killin’ Democrats or Progressives? Put on your thinking caps for a wild rock n’ roll ride through American history linked by actress Jodie Foster and her famous, bizarre, and twisted encounter with neo-Nazi stalker John Hinckley, Jr.
Mikel Murfi is quite simply astonishing in this extraordinary performance of an ordinary life, a simple, beautiful life, the life of Pat Farnon.
Enchanting, exciting, and theatrical in movement and staging, PM Theater Company presents Mihail Sebastian’s A Star Without A Name at Theatre at St. Clements.
The Resident Acting Company in New York City celebrated the 400-year anniversary of Shakespeare’s First Folio with a performance of The Tempest on November 16 at The Players.
War Words, these are true stories of those who served in Iraq and Afghanistan. They are the best of us and the worst of us.
Tonight was David Dean Bottrell: The Death of Me Yet at Pangea in New York City’s East Village. The high-energy storyteller slapped himself, immediately capturing the audience’s attention and earning laughs. Bottrell began his one-man show consisting of a series of stories about his life that, while appearing to be individual, were, in the end, connected and universal.
Martin Dockery is an exceptional, sublime storyteller and performer. Take yourself as a gift for the coming holidays.
Doc Dougherty’s show at Pangea, Godzilla’s Prince, is an epic story of not only survival from an abusive childhood in Irish New York but of perseverance and kindness, of love that transcends the Homeric horrors one child had to endure. He had a boyhood of violence inflicted by both family and school. Sadomasochists can be found everywhere even in the supposed sacred confines of religion.
