Off Broadway
The Effect at the Griffin Theater
NEW YORK – The Effect at the Griffin Theater, where we are invited to play, engage, risk, contemplate, judge, experiment, and be our wild selves.
Tulis McCall
NEW YORK – The Effect at the Griffin Theater, where we are invited to play, engage, risk, contemplate, judge, experiment, and be our wild selves.
NEW YORK – Dead Outlaw at Audible’s Minetta Lane Theatre is a deceptive cuss of a show with grace and style.
NEW YORK – Bliss Street at City Winery was a night of rockin’ celebration for the music of Charlie Sub’s youth, his dad’s tenacity, and what dreaming big can produce.
NEW YORK – The Maid and the Mesmerizer is a gripping performance about a work relationship when one partner is the so-called master, and the other becomes the captive.
NEW YORK – Until Dark at the Et Alia Theater looks at trauma for children, growing up in a dysfunctional household, and how these experiences can neurologically alter thinking in the same way PTSD might affect a soldier returning home from war – it’s about turning what is right and wrong, acceptable and unacceptable, completely upside down.
NEW YORK – This is Not a Time of Peace expresses the philosophical, insightful remembrances of author Deb Margolin, spanning decades about her father and the crushing tyranny of Senator Joseph McCarthy – is history repeating itself?
NEW YORK – The Connector now at MCC Theatre is an innocuous bit of fluff that has great ambitions and little structure. What it does have is a spectacular cast who tell this tale with as much gusto as they can. That alone almost makes it worth the watch.
NEW YORK – On Set With Theda Bara features David Greenspan playing complex characters entwined in an imaginative, pronounced immersion into what is reality, what is gender, what is being alive, who are we now, who have we been, and who will we become growing out of what matters to us.
NEW YORK – King Lear at the Theatre at St. Clements explored human frailties like narcissism, madness, betrayal, and death that transcend centuries since this play was first written, and those tragic flaws live on today.
