Off Broadway
The Movement You Need
Brendan Hunt’s The Movement You Need playing at Soho Playhouse is an uproarious stand-up solo circus act that will have you loving the man even more than you already do.
Holli Harms
Brendan Hunt’s The Movement You Need playing at Soho Playhouse is an uproarious stand-up solo circus act that will have you loving the man even more than you already do.
Russian Troll Farm at the Vineyard Theater is a story of people spying and creating madness who don’t realize they are the observed as well as the observers. Oops.
Cassie Workman’s astonishing Aberdeen at the Soho Playhouse is a tragic poem of Euripidean intensity chronicling for us the life and death of Kurt Cobain and what his passing meant to her. She conjures for us the hero, the quiet god, full of flaws and glories akin to the Greek and Roman deities.
The Animal Kingdom by Ruby Thomas, now at the Connelly Theatre, is a pressure cooker of a play that glides by in a flash – Sam (Uly Schlesinger) has recently tried to kill himself and is now in an institution of some sort for his own safety and may be in a place where he might find some surcease.
Ibsen’s Ghost at the George Street Playhouse takes Ibsen’s key themes and throws them into the hands of the multi-talented actor, playwright, and Drag Queen Charles Busch who crafts a hilarious comedy.
WOMEN ON FIRE: Fair is Foul – Get there! You will be challenged and uplifted. Which is what theatre is all about.
I was looking forward to seeing “Aristocrats” at the Irish Repertory Theatre for a purely selfish reason. My heritage is half Irish, and I was jonesing for the sound of an Irish accent.
The Handspring Puppet Company presented an adaptation of J.M. Coetzee’s novel The Life & Times of Michael K at St. Ann’s Warehouse into a lyrical triumph of a production.
Our Class is a sublimely gorgeous production, directed and polished like a precious gem filled with light and love–it must return and stay long enough for all to witness its opulence of humanity’s capabilities for both good and evil.
“Rachel Bloom: Death, Let Me Do My Show” is an acquired taste, meaning you have to keep up with her rapid delivery that lasts a mere 80 minutes.
