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Faith Salie in a scene from Approval Junkie. Photo by Daniel Rader
Off Broadway
Victoria L. Dammer

Approval Junkie

This talented, and one could say overachiever, has pulled together poignant and cheerful snippets of her life’s experiences based on her book, “Approval Junkie: Adventures in Caring Too Much,” to make her Off-Broadway debut in a one-woman show. The story isn’t just about caring too much. It’s about caring what other people think, and finding the solution to happiness is about loving yourself and fulfilling your expectations.

The Fever at the Minetta Lane Theater
Off Broadway
Victoria L. Dammer

The Fever

Lili Taylor, the unnamed actor in the play “The Fever,” runs down the aisle and jumps on the stage to begin her 90-minute monologue (rant) and exhibits the only excitement the audience experiences; the play could use some fieriness.

Fully Commited. Photo by Credit Lilin @xoxlilinxox
Off Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Fully Committed

According to the New Testament, Eschaton, a topic explored in Fully Committed, is the day at the end of time following Armageddon when God will decree the fates of all individuals. The term is often used colloquially to refer to the end of the day. Now, it is the name of the latest virtual nightclub concept featuring some of the top talents in NYC at the end of time on Saturdays while the city is shuttered.

Ever Young at the Metropolitan Virtual Playhouse
Off Broadway
Elizabeth Ann Foster

Ever Young at the Metropolitan Virtual Playhouse

We get to eavesdrop on a foursome from 100 years ago. We see what was in style in Palm Beach and how the privileged conducted themselves. Secrets unfold, and the audience gets an intimate glimpse into relationships along with a history lesson.

A Scene from Now Serving. Courtesy Collapsable Hole
Off Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Now Serving: A Guide to Aesthetic Etiquette

It was a dark, bone-chilling, windy night in the West Village to see Now Serving: A Guide to Aesthetic Etiquette in Four Courses. Entering with apprehension into this intimate, warm, carefully choreographed enclave from the world of misogyny, I was met with smiling, gentle greetings enveloped in aural musical reminders from the 1940s and ’50s. From greeters to booth operators and ushers dressed in fanciful costumes I got a token, a prize, and a choice of refreshment from three options – beer, mints, or popcorn. One could not help but smile.

Approval Junkie

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