Off Broadway
A Star Without A Name
Enchanting, exciting, and theatrical in movement and staging, PM Theater Company presents Mihail Sebastian’s A Star Without A Name at Theatre at St. Clements.
Holli Harms
Enchanting, exciting, and theatrical in movement and staging, PM Theater Company presents Mihail Sebastian’s A Star Without A Name at Theatre at St. Clements.
The Resident Acting Company in New York City celebrated the 400-year anniversary of Shakespeare’s First Folio with a performance of The Tempest on November 16 at The Players.
War Words, these are true stories of those who served in Iraq and Afghanistan. They are the best of us and the worst of us.
Martin Dockery is an exceptional, sublime storyteller and performer. Take yourself as a gift for the coming holidays.
Doc Dougherty’s show at Pangea, Godzilla’s Prince, is an epic story of not only survival from an abusive childhood in Irish New York but of perseverance and kindness, of love that transcends the Homeric horrors one child had to endure. He had a boyhood of violence inflicted by both family and school. Sadomasochists can be found everywhere even in the supposed sacred confines of religion.
Aging is Not a Fairy Tale at the Theater for the New City is a delightful, charming, humorous admixture of favorite fairy tales and characters. The repartee was well crafted and sophisticated, and the cast masterfully executed the many subtle and less subtle jabs with splendid, natural timing and assurance.
Telling Tales out of School is a quick-witted, sharp, intelligent look at the world of the Harlem Renaissance and its artists. These women are each strong and fearless, witty and dry, considerate and caring.
Redwood, now playing at Ensemble Studio Theater, is a story with layers upon layers of human history, it is a story of immediacy, of familiar and unfamiliar light, of purpose and perception. How the story unfolds in its flash dance, aerobics, and musically wonderful theatrical on-fire staging is stupendous, joyful, and ravishing.
The Constant Wife was charming, fun, witty, droll, elegant, and deserving of the full house and extended ovations. From the onset, listeners were drawn into a mesmerizing plot of well-crafted characters. The company frolicked while gliding through hypocritical attitudes and gender roles prevalent in early 20th-century society.
Scrambled Eggs by the author Reginald L. Wilson made its world premiere at the Gene Frankel Theater in New York City. It was crafted in honor of Domestic Violence Awareness Month. It was billed as a “compelling play on domestic violence is meant to incite conversation, build understanding, and inspire advocacy.”
