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Triumph of Sound and Spirit: Oratorio Society of New York Delivers Monumental Carnegie Hall Concert
Choral Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Triumph of Sound and Spirit: Oratorio Society of New York Delivers Monumental Carnegie Hall Concert

In the hallowed acoustic splendor of Carnegie Hall’s Stern Auditorium, the Oratorio Society of New York, under the masterful direction of Kent Tritle, presented a splendid concert of profound musical and spiritual significance that left one feeling intellectually enriched and emotionally transformed. The OSNY Carnegie Hall program opened with the world premiere of Paul Moravec and Mark Campbell’s “All Shall Rise” and, following intermission, continued with Mendelssohn’s monumental Symphony No. 2, “Lobgesang”—a brilliant juxtaposition illuminating the extraordinary capacity of these works to speak across centuries to our deepest human concerns. From beginning to end, this was an inspirational concert of rare distinction, accompanied by a superbly informative program booklet containing scholarly notes, complete texts, and lucid translations.

A New Take on Mahler’s Ninth: David Bernard and the Park Avenue Chamber Symphony
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

A New Take on Mahler’s Ninth: David Bernard and the Park Avenue Chamber Symphony

In the vast catalog of orchestral recordings, certain interpretations emerge as definitive statements that reshape our understanding of familiar masterworks. The new recording of Mahler’s Symphony No. 9 by the Park Avenue Chamber Symphony under David Bernard undoubtedly belongs in this rarefied category. Released by Recursive Classics to celebrate the orchestra’s 25th anniversary, this milestone recording achieves that most elusive of musical goals: making a well-known work sound freshly minted, as if the ink on Mahler’s manuscript had barely dried, delivering revelatory clarity.

In the Unlikely Event of an Actual Emergency at the Chain Theatre
Off Broadway
Holli Harms

In the Unlikely Event of an Actual Emergency at the Chain Theatre

Fear stops us from doing our art and from being the whole person we can be, but what if we were faced with an unbelievable life-threatening moment that wakes us up to our true selves? That life-threatening moment comes to life in this remarkable true story about the World Airways Flight 30 accident on January 23, 1982. The plane skidded off the end of the icy runway and into the frigid waters of Boston Harbor.

BOOP! The Musical: A Timeless Broadway Sensation
Broadway
Holli Harms

BOOP! The Musical: A Timeless Broadway Sensation

BOOP! The Musical will enchant, delight, and have you cheering for Betty and her cast of friends, feminists, and doubters. It is the ultimate New York show about the city and the many possibilities it brings to all who choose to venture into and experience every space and backspace she has to offer, creating hand-clapping, heart-grabbing, joyful, poignantly human musical scores that lift us to the top of our skyscrapers and beyond!

Fight Night at 59E59
Off Broadway
Holli Harms

Fight Night at 59E59

Well, not his comeback so much as his actual fight. Circumstances beyond his control kept him from his battle five years ago. The fight that would have made father and family proud. This is the opening to the gripping Fight Night, now playing at 59E59 Theaters.

Klea Blackhurst: A Resplendent Evening of Musical Treasure
Cabaret
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Klea Blackhurst: A Resplendent Evening of Musical Treasure

In the intimate confines of Chelsea Table + Stage, that most welcome addition to New York’s array of distinguished musical venues, Klea Blackhurst delivered a performance of such artistry that one could easily imagine the ghosts of Broadway’s golden age nodding in approval from the shadows. Her presentation of “Autumn in New York: Vernon Duke’s Broadway” on Sunday evening proved not merely a recital but rather a vibrant renaissance of one of American musical theater’s most intriguing compositional voices. With infectious enthusiasm, Blackhurst guided her audience through the fascinating career of a man who, as she aptly noted, could “dine regularly with both Prokofiev and Gershwin.”

A Cathartic Evening with I’m Assuming You Know David Greenspan
Off Broadway
Holli Harms

A Cathartic Evening with I’m Assuming You Know David Greenspan

This is a refreshing piece of true theater that cannot exist anywhere but on stage. Mona Pirnot pushes us with her words, and Greenspan is her muse with his indescribable performance style, stage presence, and pure self-expression that considers the audience. In any Greenspan production, we, the audience, are his co-creators. We are part of the movement, part of the process. We are co-conspirators who need to make our way through the quagmire of decisions and choices. Greenspan’s existence on stage is the magical musical movement of a dancer, a comedian, and a character actor capable of creating vastly different individuals.

All The Beauty In The World
Off Broadway
Tulis McCall

All The Beauty In The World

All The Beauty In The World” is a more of a TED Talk.  And it is a lovely one.  It is lovely because it is a reflection of Patrick Bringley who is kind, intelligent and insightful.

EXES The Musical Offers Cathartic Musical Reckoning
Off Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

EXES The Musical Offers Cathartic Musical Reckoning

In the intimate confines of The Chain Theatre, EXES The Musical concluded its brief but incendiary New York City run with a performance that left audiences both stunned and exhilarated. This one-woman punk rock opera, created and performed by Anne DiGiovanni (performing as deegie), transforms profoundly personal journal entries into a searing examination of modern romance. With unflinching candor and disarming humor, DiGiovanni guides us through a decade of romantic misadventures that ultimately become a powerful meditation on female identity.

From Basement to Brooklyn: Verdi’s Lost Ballet Finds New Life
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

From Basement to Brooklyn: Verdi’s Lost Ballet Finds New Life

In the sumptuous acoustic embrace of St. Ann and the Holy Trinity Church, the Brooklyn Chamber Orchestra, under the skilled direction of Philip Nuzzo, delivered a concert of extraordinary historical significance and artistic merit. The evening’s centerpiece—Verdi’s Lost Ballet—introduced American audiences to ballet music by Giuseppe Verdi that had lain dormant in a basement for 175 years.

Triumph of Sound and Spirit: Oratorio Society of New York Delivers Monumental Carnegie Hall Concert

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