
The Fever
Lili Taylor, the unnamed actor in the play “The Fever,” runs down the aisle and jumps on the stage to begin her 90-minute monologue (rant) and exhibits the only excitement the audience experiences; the play could use some fieriness.

Lili Taylor, the unnamed actor in the play “The Fever,” runs down the aisle and jumps on the stage to begin her 90-minute monologue (rant) and exhibits the only excitement the audience experiences; the play could use some fieriness.

Amanda Green and Friends opened the show with a monologue of suggestive and comical jokes, which brought the crowd’s enthusiasm to a roar, and she followed with a song from her long list of repertoire. She has a pleasant voice and throws in just enough indecent words to keep you laughing. Green told the audience she had written all the lyrics for the songs that were performed during the evening, so her special talents were on display for over an hour by the various guests who shared her words.

Shakespeare in the Afternoon is a group of erudite literati together for their weekly intellectual repast of reading Shakespeare.

According to the New Testament, Eschaton, a topic explored in Fully Committed, is the day at the end of time following Armageddon when God will decree the fates of all individuals. The term is often used colloquially to refer to the end of the day. Now, it is the name of the latest virtual nightclub concept featuring some of the top talents in NYC at the end of time on Saturdays while the city is shuttered.

In Faith by MasterVoices Kelli O’Hara beckons, her countenance cast as a shadow against gray skies, mystically intoning joyous melismas.

This fabulous third chapter of “A Theatrical Song Cycle in a Four-Part Digital Series” entitled LOVE, explores human relationships through a mystical lens at love’s ironies, impediments, and expectations. Through this musical passageway, we observe fulfillment, loss, and violence, while ultimately drawing relief through the brilliantly understated postscript of how one might lose another.

This amalgamation of 19th century protestant hymnody and Greek myths begins with its musical exploration of the legend of Icarus, son of Daedalus (creator of the Labryinth) who flew too close to the sun with wings of wax and feathers. Icarus’s struggles to reconcile his father’s dominance only to plunge to his oceanic demise is characterized through this venue with a rich musical mixture of Rhythm and Blues, gospel, and classical venues supplemented by musical theater. A true multi-media experience is reimagined for the virtual stage.

We get to eavesdrop on a foursome from 100 years ago. We see what was in style in Palm Beach and how the privileged conducted themselves. Secrets unfold, and the audience gets an intimate glimpse into relationships along with a history lesson.

Constancy by Neith Boyce is a play inspired by her turn-of-the-century circle of friends that were exploring open relationships. Sound familiar circa 1960?

Inspired by the unjust murder of George Floyd, Hunt has tapped into his network of artists, healers, and motivators and curated various uplifting classes, heartfelt performances, and uncomfortable conversations. These sessions will uncover, investigate, and begin to encourage healing from racial injustice in the United States.
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