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Gary Gulman Grandiloquent
Off Broadway
Tulis McCall

Gary Gulman Grandiloquent

This show is centered, one could almost say located, in Gulman’s home town of Peabody (pronounced PEA-buddy for you uninformed folks) Massachusetts.  Gulman was the third son, way younger than the first two, and spent time as a small child currying the favors of adults because he had no family interested enough in him to do more than offer critiques of his material.  It was a small town with his First Grade teacher living next door.  She had the extra key to Gulman’s house, let him call her by her first name away from school, and was the one who delivered the news that he was going to repeat the first grade at the insistence of his father, who had moved out some years before, but still held sway over that family.

Cymbeline: A Lesser-Known Shakespearean Gem
Off Broadway
Victoria L. Dammer

Cymbeline: A Lesser-Known Shakespearean Gem

From the first act, the audience roared with laughter, proving Shakespeare’s imagination and understanding of human complexity transcends centuries. The play is presented as a fairy tale where intertwining plots and subplots keep you riveted by the action on stage.

Beckett’s Waiting for Godot: Absurdist Theater Defined
Behind the Scenes
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Beckett’s Waiting for Godot: Absurdist Theater Defined

Influenced by James Joyce, Beckett’s style reflects the human condition, blending despair, humor, and hope. Premiering in 1953, Waiting for Godot redefined dramatic conventions with minimalism and existentialist themes, shaped by Beckett’s experiences in war-torn Europe and profound introspection.

David Dean Bottrell: A Teenage Wasteland at Pangea
Comedy
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

David Dean Bottrell: A Teenage Wasteland at Pangea

The premise of Teenage Wasteland is as universal as it is specific. Bottrell focuses on his tumultuous teenage years growing up in the Bible Belt during the cultural upheaval of the 1970s. For anyone who has survived the awkwardness of adolescence—the heartbreaks, the insecurities, the desperate quest for identity—this show offers both a mirror and a balm.

Wakka Wakka Dead as a Dodo
Off Broadway
Holli Harms

Wakka Wakka Dead as a Dodo

The staging of Dead as a Dodo is a kaleidoscope of dark and a light that sparkles as if the stage had captured thousands of little stars to glisten there just for us. The songs are beautifully dark, touching, and humorous. You will leave with Boy and Dodo and the friends they meet along the way in your heart.

Gypsy at the Majestic Theatre
Broadway
Tulis McCall

Gypsy at the Majestic Theatre

At the center of this storm is Audra McDonald as Rose.  She is the locomotive that pulls this show along and so much the center that everything else, including the cast members, pretty much pales in comparison. 

Brian D'Arcy James and Kelli O'Hara in Days of Wine and Roses The Musical. Photo by Ahron R. Foster
Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

The Days of Wine and Roses

Watching O’Hara and D’Arcy James in Days of Wine and Roses is both thrilling and exhausting. These two thoroughbreds navigate this difficult and overwritten score with grace and self-assurance. Every song that O’Hara sings is an aria. D’Arcy James takes on his music with the precision of a fencing master. This is a master class in every way.

Eli Bolin Has No Friends
Cabaret
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Eli Bolin Has No Friends

As the show unwound, it was like a fun family reunion picnic of Saturday Night Live, Second City Television, and a dash of Uncle Floyd, where everyone takes turns showing what they can do to make everyone smile and better off than when they arrived.

Eureka Day at the Manhattan Theatre Club
Off Broadway
Tulis McCall

Eureka Day at the Manhattan Theatre Club

Within a hilarious and unbelievable few minutes, the entire parent organization goes to hell in a handbag with the chat exposed on a flat-screen upstage.

Pen Pals
Off Broadway
Tulis McCall

Pen Pals

Bernie and Mags are pen pals.Their story begins in the fall of 1955 when both are 14-ish years old. Both are filled with thoughts and few people to share them with.

Gary Gulman Grandiloquent

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