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Sulfur Bottom: A Haunting Elegy for Environmental Justice
Off Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Sulfur Bottom: A Haunting Elegy for Environmental Justice

Rishi Varma’s “Sulfur Bottom” at Jerry Orbach Theater conceals devastating secrets within its exploration of environmental injustice and corporate exploitation, featuring masterful performances and revelations that will leave you breathless. This profound work transforms abstract policy into an intimate family mystery, creating urgent, unforgettable theater that guards its most shocking truths for live audiences. Some theatrical experiences can be described; others must be witnessed to be believed.

Shakespeare’s Mischief, Music, and Magic Beneath the City Lights
Off Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Shakespeare’s Mischief, Music, and Magic Beneath the City Lights

In this unassuming parking lot, under an indifferent city sky, The Drilling Company conjured faeries, fools, and lovers in riotous splendor. Don’t just dream of theatre—see it lived, loud and luminous.

The Man Who Shot Liberty Valance: A Morality Play for Modern Times
Off Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

The Man Who Shot Liberty Valance: A Morality Play for Modern Times

A gripping, gorgeously acted parable of power, truth, and sacrifice. This western isn’t about bullets—it’s about belief. The Man Who Shot Liberty Valance is vital, eloquent theatre. Do not miss it.

Henry VI by the Atlas Shakespeare Company
Off Broadway
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Henry VI by the Atlas Shakespeare Company

In the intimate black box Chain theater on West 36th Street (a location that would have amused the Bard, who knew something about cramped performance spaces), Adriana Alter and her Atlas Shakespeare Company have accomplished something approaching the miraculous with this performance of Shakespeare’s Henry VI.

Lights Out: Nat “King” Cole at the NY Theatre Workshop
Music
Tulis McCall

Lights Out: Nat “King” Cole at the NY Theatre Workshop

It is one thing to go to a show, whose subject is an icon – Nat “King” Cole – and be entertained.  It is another thing entirely to be transported as soon as the person playing Cole, Dulé Hill, begins to sing.  It is as though Hill dropped into another dimension and stayed there long enough to soak up the very molecules that made Cole an extraordinary talent.

The Imaginary Invalid at New World Stages
Off Broadway
Tulis McCall

The Imaginary Invalid at New World Stages

I PROMISE it will make you laugh.  It made me laugh, and I am not a laugher.  I am an observer who, when something is funny, often makes a mental note of that effect.  But laugh out loud?  Not so much.  Wasn’t I surprised to be one of the people who nearly barked.

A Freeky Introduction at the Atlantic Stage II
Off Broadway
Tulis McCall

A Freeky Introduction at the Atlantic Stage II

The only thing freeky about “A Freeky Introduction” is the astonishing amount of love, smarts, and hope that one person – NSangou Njikam (Freeky Dee) – can fit into one tight 85 minutes, never mind one theatre.  With the aid of his DJ and sidekick DJ Monday Blue, Njikam leaps onto the stage and into our hearts.  You don’t have a chance to deny him, because he is that slick.  The deed is done before you realize it. S-L-I-C-K!!!

Lunar Eclipse at The Irene Diamond Stage
Off Broadway
Tulis McCall

Lunar Eclipse at The Irene Diamond Stage

Donald Margulies has written a story that, at first glance, is chock-a-block full of metaphors and symbolism. Set in Western Kentucky, it is the night of a lunar eclipse.  The eclipse offers lessons in life, continuity, time – all the biggies.  They can look back on the passage of time reflected in their decades-old relationship and look up at the moon and see time passing in the here and now.  There is mystery in the past and the present, and certainly the future.  They live on the farm founded by George’s ancestors.  These two are the last generation. George and Em have two adopted children.  Tim is dead, and this has always been a problem.  Marianne turned out okay, but she lives far away.

HA HA HA HA HA HA HA at the Public Theater
Off Broadway
Tulis McCall

HA HA HA HA HA HA HA at the Public Theater

Back in the day, we would have called this “A Happening.” It was the time of “Dionysus in 69” by The Performance Group and works by Judith Malina and Julian Beck’s The Living Theatre. The lines between performer and audience were blurred decades ago. With HA HA HA HA HA HA HA, now at The Public Theater, the lines are obliterated.

Angry Alan at Studio Seaview
Off Broadway
Tulis McCall

Angry Alan at Studio Seaview

“Angry Alan” begins with a brilliant and sensitive script by Penelope Skinner that is both seductive and raw.  Then we have John Krasinski – you know that sweet guy with the bowl cut from “The Office” 2005-2013.  (Yes, THAT long ago, so just take a moment and swallow.)  THAT guy gives a performance that is startling in its precision and depth.  Who knew?  Top it off with direction by Sam Gold, who has pulled every ounce of nuance out of this even and released it to the four winds.  This is a theatrical trifecta: brilliant writing, exquisite acting, and insightful direction.

Sulfur Bottom: A Haunting Elegy for Environmental Justice

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