There is something inherently wrong with a plot that features two women arguing over who has it worse off – one with three miscarriages or the other with five. Loosely based on the historical six wives of England’s King Henry VIII, the plot is a contest among the Tudor women to see who has suffered the most. Each wife panders to the audience, expressing their woes to be selected as the biggest loser. Midway they realize the absurdity of their arguing, and that the only thing that unifies them is a man. They decide to stop bickering, end the contest, and focus on a final musical number denoting their reconciliation.