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New York in Five Voices: The ASO’s Bryant Park Summer Finale
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

New York in Five Voices: The ASO’s Bryant Park Summer Finale

Under a starlit Manhattan sky that seemed to pulse with invisible harmonies, the American Symphony Orchestra transformed Bryant Park into a cathedral of sound. With Botstein’s guiding words and radiant performances of Perry, Cowell, Kay, Copland, and Dello Joio, the evening became an unforgettable celebration of New York’s musical identity. This free concert embodied the orchestra’s democratic vision, proving once again that great music belongs to everyone.

Jaws with a Live Orchestra: An Interview with Maestro David Bernard
Editor's Pick
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Jaws with a Live Orchestra: An Interview with Maestro David Bernard

Maestro David Bernard reveals exactly why the Massapequa Philharmonic’s “Jaws” live-to-screen concert on September 14, 2025, at Tilles Center will be absolutely unforgettable experience. With 75+ musicians performing John Williams’ legendary score live—including that instantly recognizable two-note shark theme—audiences will experience the film’s primal terror dramatically amplified by live orchestral power, making cinema’s most famous musical villain viscerally, heart-poundingly real.

Young Titans: When Musical Destiny Meets Artistic Courage
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Young Titans: When Musical Destiny Meets Artistic Courage

Young virtuosos from New York’s Special Music School delivered absolutely transcendent performances with the Park Avenue Chamber Symphony at the Kaufman Music Center’s Merkin Hall, showcasing breathtaking technical artistry and profound emotional maturity that brilliantly revealed the extraordinary, deeply inspiring bright future of American classical music excellence today.

American Symphony Orchestra Delivers a Triumphant Guntram at Carnegie Hall
Choral Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

American Symphony Orchestra Delivers a Triumphant Guntram at Carnegie Hall

Friday night’s performance of Gurtram was a remarkable unveiling of a rarely performed but powerful work by Richard Strauss. From the onset, Strauss’s mastery of rich symphonic intones was evident with its roaring motifs and orchestra colors, just as those that excite listeners like Till Eulenspiegel or Ein Heldenleben.

A Magnificent Journey: PACS Spellbinding “Symphonic Storytelling” Concert
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

A Magnificent Journey: PACS Spellbinding “Symphonic Storytelling” Concert

Music creates a virtual world where stories unfold not in bytes, but in glorious, symphonic narratives that transport us to realms both fantastical and profound. After all, what could be more revolutionary than sitting together to experience the communal magic of storytelling through music, that most universal of languages?

A Musical Time Machine: American Classical Orchestra Illuminates Mozart and Beethoven at Lincoln Center
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

A Musical Time Machine: American Classical Orchestra Illuminates Mozart and Beethoven at Lincoln Center

There are certain rare evenings when the walls between centuries dissolve, when the spirits of long-departed composers seem to hover in the air, nodding with approval as their intentions are realized with breathtaking authenticity. From the moment one opened the elegantly designed program booklet, it was clear this would be no ordinary concert. With their 19th-century accoutrements and historically accurate construction, the ACO’s commitment to period instruments transformed familiar works into vivid new sonic experiences.

Triumph of Sound and Spirit: Oratorio Society of New York Delivers Monumental Carnegie Hall Concert
Choral Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Triumph of Sound and Spirit: Oratorio Society of New York Delivers Monumental Carnegie Hall Concert

In the hallowed acoustic splendor of Carnegie Hall’s Stern Auditorium, the Oratorio Society of New York, under the masterful direction of Kent Tritle, presented a splendid concert of profound musical and spiritual significance that left one feeling intellectually enriched and emotionally transformed. The OSNY Carnegie Hall program opened with the world premiere of Paul Moravec and Mark Campbell’s “All Shall Rise” and, following intermission, continued with Mendelssohn’s monumental Symphony No. 2, “Lobgesang”—a brilliant juxtaposition illuminating the extraordinary capacity of these works to speak across centuries to our deepest human concerns. From beginning to end, this was an inspirational concert of rare distinction, accompanied by a superbly informative program booklet containing scholarly notes, complete texts, and lucid translations.

A New Take on Mahler’s Ninth: David Bernard and the Park Avenue Chamber Symphony
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

A New Take on Mahler’s Ninth: David Bernard and the Park Avenue Chamber Symphony

In the vast catalog of orchestral recordings, certain interpretations emerge as definitive statements that reshape our understanding of familiar masterworks. The new recording of Mahler’s Symphony No. 9 by the Park Avenue Chamber Symphony under David Bernard undoubtedly belongs in this rarefied category. Released by Recursive Classics to celebrate the orchestra’s 25th anniversary, this milestone recording achieves that most elusive of musical goals: making a well-known work sound freshly minted, as if the ink on Mahler’s manuscript had barely dried, delivering revelatory clarity.

From Basement to Brooklyn: Verdi’s Lost Ballet Finds New Life
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

From Basement to Brooklyn: Verdi’s Lost Ballet Finds New Life

In the sumptuous acoustic embrace of St. Ann and the Holy Trinity Church, the Brooklyn Chamber Orchestra, under the skilled direction of Philip Nuzzo, delivered a concert of extraordinary historical significance and artistic merit. The evening’s centerpiece—Verdi’s Lost Ballet—introduced American audiences to ballet music by Giuseppe Verdi that had lain dormant in a basement for 175 years.

Tapping into the Twenties: The ASO and Forgotten Marvels at David Geffen Hall
Music
Edward A Kliszus, Editor-in-Chief / Music and Arts Critic

Tapping into the Twenties: The ASO and Forgotten Marvels at David Geffen Hall

This concert was no costume party of musical nostalgia. The American Symphony Orchestra, under the inspired baton of Leon Botstein, offered something far more nourishing: a sweeping, intelligent, and emotionally resonant exploration of rarely performed masterworks in a program aptly titled Tapping into the Twenties.

New York in Five Voices: The ASO’s Bryant Park Summer Finale

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