Off Broadway
Heart at Minetta Lane
London-based performer Jade Anouka presents at her New York City theater debut an intimate exposé of her journey to find her true heart.
Victoria L. Dammer
London-based performer Jade Anouka presents at her New York City theater debut an intimate exposé of her journey to find her true heart.
While Chekov’s play holds a firm place in the literature, through the magic of technology the story can now be presented in a cutting-edge complex dreamscape of seemingly incongruent elements achievable only with the contemporary arts of live-streamed multi-media drama.
Jane Anger is hilariously funny. Witticisms, cleverness, plays on words, malapropisms, and sparkling non sequitur rants abound along with a dash of the spirit of Monte Python and Mel Brooks, a touch of Abbott and Costello, and the cast’s superb timing that make it work.
The simple scenes in the context of oppression are immediately pertinent, disturbing, and personal to anyone with knowledge of living in a dystopian society run by oligarchs or dictators.
The Oratorio for Living Things is a miraculous, thought-provoking celebration of hope, life, and the human spirit, ravishingly expressed through a brilliant fusion of music and theater.
Dr. Morgan eloquently articulate his keen insights into the search for the purpose of life, the human psyche, and perhaps even the ecclesiastical soul as Pastor Wilmont might argue.
Curry transformed herself into a litany of characters in Queens Girl in the World, projecting the mannerisms of people who influenced her.
Massini’s dialogue is genius with real, raw emotion traded by factory walkers who, while they may seem different from one another, share the desire to keep their jobs and pay their bills.
A refreshing comedy show of newly minted comics, the latest graduates from the Women Only Stand-Up took the stage in a talent scout’s comic store dream come true.
Jazz, avant-garde music, and dance reinforce dramatic meaning in Help at the Shed Theater, a comfortable new space.
