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The Park Avenue Chamber Symphony Presents Between Sea and Sky: Debussy's Painters and Poets. Photo by Matt Dine
Music Reviews
Edward A Kliszus

Park Avenue Chamber Symphony InsideOut Immersive Experience

In 2015, Maestro David Bernard of the Park Avenue Chamber Symphony began his examination into how orchestras might increase their success with the classical music world’s biggest challenge—audience growth.  Bernard pondered the difference between people who are classical music enthusiasts—and those less informed about classical music. Bernard hypothesized that the main difference is the lack of an immersive classical music experience in the lives of those who have yet to discover the beauty and power of music.  At this moment, the concept of Bernard’s now well-known “InsideOut” was born, and in the coming seasons, he incorporated a new kind of immersive strategy into symphonic concerts.  With each successive event, he “tweaked” the model, ultimately developing an approach toward maximizing immersion in classical music concerts.

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David Bernard and the Park Avenue Chamber Symphony at Merkin Hall. Photo by Edward Kliszus
Music Reviews
Edward A Kliszus

Park Avenue Chamber Symphony Concerto Artists

This auspicious event was the fruit of an esteemed collaboration between the Kaufman Music Center and the Park Avenue Chamber Symphony. Gifted young artists competed for the opportunity to grace the stage and perform major musical works with a symphony orchestra before a packed house in a remarkable concert space.

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The Park Avenue Chamber Symphony Presents Between Sea and Sky: Debussy's Painters and Poets. Photo by Matt Dine
Music Reviews
Edward A Kliszus

Between Sea and Sky: Debussy’s Painters and Poets

Experiencing the ineffable, expressive unfolding of the music while seated among the musicians was, without exaggeration, an exalted, rapturous, and elegiac pluradimensional experience. The blinding radiance and pathos of these moments were to reoccur in the Symphony’s successive musical offerings slated for this evening.

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