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MasterVoices presents O HOW GOOD at the Central Synagogue. Ted Sperling, conductor. Credit Photo: Joe Carrotta
Choral Music
Edward A Kliszus

MasterVoices Presents a Concert of Jewish Sacred Music at Central Synagogue

Tonight’s O How Good was a celebration of the life of MasterVoices board member Lois Conway and the years of philanthropy and insightful leadership characterizing her service. The venue chosen for this event was inspiring and magnificent and set in New York City’s Central Synagogue, a stunning example of Moorish Revival architecture and a testament to the beauty and richness of Jewish tradition and culture.

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Kent Tritle conducting Stabat Mater by David Briggs at the Cathedral Church of St. John the Divine. Screenshot by Edward Kliszus
Choral Music
Edward A Kliszus

Light of Paradise at the Cathedral Church of St. John the Divine

Maestro Kent Tritle opened this “Light of Paradise” program with the strings of his world-class orchestra performing George Walker’s Lyric for Strings (1946). This work set the tone for the contemplative, elegiac, spiritual, and pathos-rich musical experience about to unfold. This music performed in the magnificent Cathedral of St. John the Divine created rich, transcendent sound reverberations of grandeur and timelessness. The orchestra’s offering of the beautiful, memorable Lyric for Strings was an exquisite sonic experience of poignant and profound emotional character.

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American Symphony Orchestra at St. Bartholomew's Church. Photo by Edward Kliszus
Choral Music
Edward A Kliszus

Organ and Orchestra by the American Symphony Orchestra

The program opened with Camille Saint-Saëns’ Symphony No. 3 in C minor “Organ” (1886). When the organ spoke at the first poco adagio along with lush strings and harmonies, the amalgam of sound was exquisitely sublime, inspiring reverence and spirituality from Saint-Saëns’ melodic prose.

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Kent Tritle Conducts Musica Sacra at Carnegie Hall. Photo credit: Brian Hatton
Choral Music
Edward A Kliszus

Musica Sacra at Carnegie Hall

Maestro Kent Tritle and Musica Sacra delivered an elegant, nonpareil performance expressing the radiant afflatus of Handel’s artistic and spiritual masterpiece Messiah. The exquisite sound of the orchestra with period bows performed by orchestral virtuosos and Tritle‘s attention to purity and detail ensured the finest manifestations of Handel’s choral intentions. The ensemble delightfully conveyed the confidence and security of Handel’s musical counterpoint to elaborate the vital significance of the text, melody, harmonic structures, and the composer’s notable departures from antiquarian pedantry into the dash, freedom, and spontaneity of musical evolution.

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