Search

Reviews & Articles

Find Reviews by Category
Thomas Crawford with the American Classical Orchestra at Alice Tully Hall. Photo by Edward Kliszus
Music Reviews
Edward A Kliszus

A Romantic Fantasy

The American Classical Orchestra ascended to the stage before a packed house in Alice Tully Hall at Lincoln Center. Under the baton of conductor Thomas Crawford, the concert began with Gioachino Rossini’s William Tell Overture (1829). Marvelously performed by the ACO, this work resides in the canon of intensely popular music. It was received by the audience akin to the intense adulation witnessed at its performance at the Paris Opéra in 1929.

Read More »
The American Classical Orchestra presents Healing Bach at the Church of Saint Vincent Ferrer. Photo by Edward Kliszus
Choral Music
Edward A Kliszus

The ACO presents Healing Bach

The The ACO presents Healing Bach featured sopranos Sherezade Panthaki and Corrine Byrne, mezzo-soprano Sylvia Leith, countertenor Daniel Moody, tenors Brian Giebler and Lawrence Jones, and bass-baritones Edmund Milly and Joseph Parrish. This astounding coterie of gifted musicians presented continuously breathtakingly beautiful and inspired performances.

Read More »

The American Classical Orchestra presents Remember

The performance of Mozart’s Requiem, K526, was glorious and ecstatic. The sui generis admixture of rich sounds from soloists, chorus, and orchestra was superb. At the same time, the sumptuous luminosity of the famed Lacrimosa was almost more than an emotive listener could process without soulful introspection.

Read More »
Thomas Crawford and The American Classical Orchestra. Photo from aconyc.org
Chamber Music
Edward A Kliszus

American Classical Orchestra at Harlem Parish

Henry Purcell’s inventive Chaconne opened the program, performed with superb musicianship by the ACO’s performers, thereby setting the standard of sublime artistry to follow, beautifully filmed, recorded, and produced in the magnificent Harlem Parish setting. How delightful to hear, see and experience representative 17th-century works performed on period instruments. The imaginatively engaged listener propelled by their suspension of belief is anachronistically transported into a magical musical experience.

Read More »