The thrill of the disco era returned to 54 Below on March 1 for an exciting night as the famous and glamorous nightclub opened the dance floor to all who came to participate in two sold-out shows of Turn the Beat Around.
Tonight’s Broadway Valentine’s Day at 54 Below was an evening of love, song, romance, nostalgia, fine dining, unique beverages, and thematic desserts. The messages of love portrayed were universal, celebrating spiritual beings connected through energy, generosity, compassion, and harmony. As Shakespeare noted in Love’s Labour’s Lost, “When Love speaks, the voice of all the gods makes heaven drowsy with the harmony.”
The multi-talented and stunningly beautiful stage and screen star Vanessa Williams made her Diamond Series debut at 54 Below on December 13 with a musical selection from her catalog of chart-topping songs, Broadway Classics, and others.
Rejoicing in the life and musical talent of Stephen Sondheim one year after his passing, 54 Below presented Sondheim Unplugged, a tribute beyond compare that has played repeatedly since 2010.
Jackson’s keenly personal anecdotes segued into music that defined moments of his life, with storytelling characterizing Broadway history.
She’s charming, self-deprecating, and pulled out all the stops tonight to celebrate and honor a career and life on stage. She proved she could both reminisce on her teenage stardom and deliver the American songbook to us.
Gilkes’s new album Cyclic Journey touches anyone who appreciates and enjoys world-class artistry and virtuosity in classical and jazz idioms. Cyclic Journey is a musical adventure where the listener can experience the sounds of a team of musicians at the top of their game. At the same time, Gilkes shares his biographical virtual journey that emerged from his creative imagination. As you listen, close your eyes, and permit yourself to be transported through his ephemeral, beautiful sonic world.
Misrahi is a boyish, lovable character who is bawdy, irreverent, clever, and entertaining with repartee and humor as delightful as his singing. His selection of songs seems to spring from biographical sentiment, and while he can sing to be funny, he can also touch hearts with the intense pathos, sadness, and beauty he expresses in songs like Sondheim’s “One More Kiss” from Follies. The song ended with a whisper, silence, and thunderous applause.
Kate Baldwin and Aaron Lazar presented a sentimental, delightful journey through the American Songbook of the best of musical theater. Each song and setting was perfectly characterized, rapturously sung, and sparkling.
Recce is a prolific composer and lyricist who knows his audience. His banter, sarcasm, wit, and humor are well received. He’s fresh, relevant, irreverent, and quick to lampoon those whose actions he reproves. He is rebellious and reflects his views through an evolution of personal expressions through song. His abilities are diverse. He expresses himself in a mode of his choice best suited to empower his message.
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