OpeningNight.Online Theater Logo

John Lloyd Young at Café Carlyle

John Lloyd Young. Photo: Alex Hoerner
John Lloyd Young. Photo: Alex Hoerner
Search by review category
Rating
5/5

I first heard and saw John Lloyd Young in 2005 in his acclaimed role as Frankie Valli in Broadway’s Tony award-winning production of Jersey Boys. In 2014, I saw his reprise of the role in Clint Eastwood’s film production Jersey Boys, a biopic on The Four Seasons 60’s pop band.

My expectations were high for Young’s cabaret appearance. A cabaret setting is particularly challenging as it immerses the artist in an intimate, face-to-face setting with a live audience. There’s no studio engineer for retakes or digital pitch adjustments – no pit orchestra between the stage and audience.

On this opening night of Young’s eighth residency at Café Carlyle, he presented a new show accompanied by world-class musicians Tommy Faragher, music director, album producer, arranger, songwriter, and keyboards – Paul Socolow, Bass –Eric Kalb, Drums – Stew Cutler, Guitar.

Perched in my end seat at the bar, I situated myself for a great view as I enjoyed delicious dinner fare from the Café Carlyle menu. Anticipation grew as the musicians came to the stage to check their equipment, tuning, and instruments.

House lights dimmed as Young approached the stage, looking sharp in a black satin suit, black tie, and crisp white shirt. A beguiling, gentle, and familiar musical intro began for Young as he set the mood with I Can’t Take My Eyes Off of You. Many swooned as Young displayed his flawless range, finesse, and poignancy. For the rest of the evening, his poise, confidence, and communication encouraged the audience to participate and experience each song with him.  He was charming, confident yet self-effacing, and the boy next door, at ease with introductions, humor, audience banter, and anecdotes.

Seamlessly departing from his opening Frankie Valli tribute, Young presented a richly diverse program revealing his personality, versatility, and depth. He took us back to 1966 with Sonny Bono’s song Bang Bang, performed as an ethereal, irreverent poem. More 60’s romance and nostalgia came with the James Bond theme You Only Live Twice set in a blues feel, another example of how Young showcased the richness and beauty of his sound in the mid and lower ranges of his tessitura.

In a delightful tribute to Roy Orbison, Young performed Only the Lonely and Say No More. He deftly navigated the characteristic challenges of pitch, range, and flexibility required to adequately express Orbison’s heartfelt mien.

To come was the grace and beauty of Rogers and Hammerstein’s I Have Dreamed, the profound sadness and longing of Haung Ke Cheng’s Ming Ri Tien YoIf Tomorrow Comes, original songs written by pianist Tommy Farragher and Young with excellent guitar and keyboard features, an energetic rock ‘n roll arrangement of the Supremes’ song You Keep Me Hangin’ On featuring excellent background vocals by the band. In Spanish, Young beautifully crooned Gabriel Ruiz’ Usted, a muy romántico canción exuding amorous passion. If that wasn’t enough, Young gave us Leon Russel’s heartthrob A Song for You, famously recorded by Karen Carpenter decades ago.

After some other surprises, the show closed with a medley of Frankie Valli hits, including Working My Way Back to You and Sherry.

This evening Young affirmed his stature as an exciting, gifted, empathetic, and expressive artist. He handled his varied and challenging repertoire with ease and delivered the poetry of the music. He segued seamlessly from nostalgia to just plain fun.  Young delivered something for everyone and everybody. Few could resist the delightful, heart-tugging fare.

Robyn and Radha, seated next to me at the bar, said it best, “Opening night was totally fabulous!”

John Lloyd Young is live at Café Carlyle through March 2, 2019 with Tommy Faragher –Music Director, Album Producer, Arranger, Songwriter, Keyboards;  Paul Socolow –Bass; Eric Kalb –Drums; Stew Cutler -Guitar

Reservations can be made by phone at 212.744.1600 or online via Café Carlyle. Performances will take place Tuesday – Saturday at 8:45 pm. Weekday pricing begins at $95 per person / Bar Seating: $75 / Premium Seating: $145. Weekend pricing begins at $125 per person / Bar Seating: $100 / Premium Seating: $175. Café Carlyle is located in The Carlyle, A Rosewood Hotel (35 East 76th Street, at Madison Avenue).

John Lloyd Young singing You’re Just Too Good to be True

CONCERTS, VENUES, THEATER AND SPORTS

Events Tickets Center TicketLiquidator

Recommended Books and Media at Amazon

Edward A. Kliszus

Edward A. Kliszus

Performer, conductor, and educator Edward Kliszus began his musical studies at the age of 5 and has since been deeply involved in the fine, performing, and literary arts. He is a long-time and current member of the American Society of Composers, Authors, and Publishers (ASCAP) and the American Federation of Musicians (AFM). He studied trumpet performance and music education while attending the Manhattan School of Music and was a student of Mel Broiles, principal trumpet of the New York Metropolitan Opera Orchestra. His post-graduate studies at New York University focused on trumpet and piano performance, music composition, and analysis of composer Elliott Carter's 1974 work Brass Quintet. He was music director and conductor of the New Jersey based Union Symphony Orchestra for 15 years and has performed at Manhattan's West Village venue Monologues and Madness. He currently focuses his artistic and creative endeavors on writing, music composition, piano jazz, and as a critic for TheFrontRowCenter.com and OpeningNight.Online. He holds a Ph.D. from New York University, Master of Music from the Manhattan School of Music, and Bachelor of Music from Nyack College.

All Posts

More to explore...

Andre Royo in Audible Theater's production of "Drinking in America," written by Eric Bogosian and directed by Mark Armstrong. Off-Broadway / Minetta Lane Theatre (18 Minetta Lane, NYC). Photo (c) Jeremy Daniel

Drinking in America at the Minetta Lane Theater

Royo delivered a resounding performance, transforming into over 12 characters experiencing the stages of alcoholism and its effects on each character’s interaction with himself and others. At times, it’s hard to tell who Man is, as his toxic masculinity dominates and elevates with the abuse of alcohol.

MasterVoices presents O HOW GOOD at the Central Synagogue. Ted Sperling, conductor. Credit Photo: Joe Carrotta

MasterVoices Presents a Concert of Jewish Sacred Music at Central Synagogue

Tonight’s O How Good was a celebration of the life of MasterVoices board member Lois Conway and the years of philanthropy and insightful leadership characterizing her service. The venue chosen for this event was inspiring and magnificent and set in New York City’s Central Synagogue, a stunning example of Moorish Revival architecture and a testament to the beauty and richness of Jewish tradition and culture.

COMMENTS

John Lloyd Young at Café Carlyle

Subscribe
Notify of
guest

2 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
2
0
Would love your thoughts, please comment.x
()
x