Girl from the North Country

Elizabeth Ann Foster and Melissa Heche at the Girl of the North Country main. Photo credit: Elizabeth Ann Foster
Elizabeth Ann Foster and Melissa Heche at the Girl of the North Country main. Photo credit: Elizabeth Ann Foster

Girl from the North Country is all about Bob Dylan’s music. I will never go to a Bob Dylan anything again unless it is fully vetted. I mean only if reliable sources tell me it’s a must-see. One of the longest nights was sitting through a Dylan concert in Halifax a few years back. Dylan, a microphone, a guitar, and that’s it for hours. It started to sound monotonous after the first two songs.

North Country Blowin in the Wind Poster. Photo by Elizabeth Ann Foster

North Country Blowin in the Wind Poster. Photo by Elizabeth Ann Foster

Music and Lyrics by Dylan

Ever hopeful as I’m a “cup half full” person, I ventured out again, this time to the Belasco Theatre for a play with vintage music and lyrics by Dylan. Irish dramatist Conor McPherson wrote and directed this production, including a coterie of actors and musicians.

The theater was half full – there was that optimism again.

Then, I focused on the stage. An instrument, a microphone – I broke into a cold sweat. Could this be happening? Was this foreshadowing?

I did stay for the full show.

I recognized some of the songs this time: “Like A Rolling Stone” and “Forever Young.”

Duluth Minnesota

“No Knockin’ on Heaven’s Door,” “Mr. Tamborine Man,” or “Blowing In The Wind”  didn’t fit the narrative of Duluth, Minnesota, in 1934. I suppose if I had made the scene with Dylan at Cafe Wha or Gerde’s Folk City in Greenwich Village in the ’60s, these would have made more sense.  But alas, that’s a bit before my time.

Who was the girl from the North Country who kept yelling down the hall throughout the play? Not a single person in the audience I spoke to had a theory.

Bob Dillon's harmonica. Photo by Elizabeth Ann Foster

Bob Dillon’s harmonica. Photo by Elizabeth Ann Foster

Slice of an American Life

We get to see a slice of American Life of bygone times. Girl From The North Country is a depression-era story about a man, Nick Laine (Jay O. Sanders), who is about to lose his home. He rents out rooms, trying to survive. The songs are not part of the story or plot, making the production slightly more interesting. Narrated by the local doctor, we learn this is the last Thanksgiving and time these particular people will be together. Do you have to wonder how they feel without a home?

Bob Dillon poster. Photo by Elizabeth Ann Foster

Bob Dillon poster. Photo by Elizabeth Ann Foster

Depression Depiction

The women carry the show. Memorable, and the highlight is Mrs. Laine (Mare Winningham). She has dementia and lost her filter years ago. She is rip-roaring and hilarious, making this otherwise severe, sad, and depressing depiction of life wake the audience. Another resident, Mrs. Burke (Luba Mason), takes off and starts playing the drums – in heels!

This is for a Dylan diehard fan. Memorabilia is in a downstairs pop-up museum in the bar area that includes Dylan’s harmonica.


Todd Almond as Elias Burke, Colin Bates as Gene Laine, Jeannette Bayardelle as Mrs. Neilsen, Caitlin Houlahan as Kate Draper, Robert Joy as Dr. Walker, Luba Mason as Mrs. Burke, Matt McGrath as Reverend Marlowe, Tom  Nelis as Mr. Perry, Jay O. Sanders as Nick Laine, Austin Scott as Joe Scott, Housso Semon as Marianne Laine, and Mare Winningham as Elizabeth Laine.

Soloists/Ensemble Matthew Frederick Harris, John Schiappa, Rachel Stern, and Chelsea Lee Williams


Music by Bob Dylan

“Sign on the Window” from New Morning, 1970.
“Went to See the Gypsy” from New Morning, 1970.
“Tight Connection to My Heart” (Has Anyone Seen My Love?)” from Empire Burlesque, 1985
“Slow Train” from Slow Train Coming, 1979
“License to Kill” from lnfidels, 1983
“I Want You” from Blonde on Blonde, 1966
“Like a Rolling Stone” from Highway 61 Revisited, 1965
“Make You Feel My Love” from Time Out of Mind, 1997
“What Can I Do For You?” from Saved, 1980

“You Ain’t Goin’ Nowhere” from The Basement Tapes, 1975
“Jokerman” from lnfidels, 1983
“Sweetheart Like You” from Infidels, 1983
“True Love Tends to Forget” from Street-Legal, 1978
“Girl From the North Country” from The FreeWheelin’ Bob Dylan, 1963
“Hurricane” from Desire, 1976*
“All Along the Watch Tower” from John Wesley Harding, 1967
“Idiot Wind” from Blood on the Tracks, 1975
“Duquesne Whistle” from Tempest, 2012**
“Senor” (Tales of Yankee Power)” from Street-Legal, 1978
”Is Your Love in Vain?” from Street-Legal, 1978
“Forever Young” from Planet Waves, 1974
“Pressing On” from Saved, 1980

*written by Bob Dylan and Jacques Levy
**written by Bob Dylan with Robert Hunter


Conductor/Piano/Harmonium: Marco Paguia
Associate Conductor/Guitars: Andy Stack
Violin/Mandolin: Martha McDonnell
Bass: Mary Ann McSweeney
Drums: Craig Bierko/Luba Mason/John Schiappa
Music Coordinator: Dean Sharenow
Associate Music Director: Wiley DeWeese
Keyboard Programmer: Randy Cohen Keyboards
Music Copying: Emily Grishman Music Preparation/ Adriana Grace/Alden Terry

Run time: 2 hours 30 minutes. One 15-minute intermission

Belasco Theater
111 W. 44th St

For tickets, click here.

Readers may also enjoy our reviews of Judy Collins,  All My GirlsBilly Valentine, and MJ the Musical.

Girl from the North Country


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