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So Like You Know Whatever! Digital art by Edward Kliszus
Behind the Scenes
Edward A Kliszus

So Like You Know Whatever

Words like “so, like, you know, whatever” often make it challenging to decipher true intent beneath the verbal padding. I can’t help but wonder: do they speak this way in the boardroom, the classroom, at life’s pivotal moments? But honestly, I’m not critiquing—just smiling at the evolution of language, the playful rhythm of how we connect. It’s their time, their voice. And in that, I find a kind of poetry. Still, I can’t help but drift back to my own coming-of-age, when words carried different weight. Back in the days when the Vietnam War raged, my peers h

Inspiration. Digital Art by Edward Kliszus
Criticism
Edward A Kliszus

A Conversation About Reviews

A conversation about reviews begins with the consideration of a critic and author who is inspired by and appreciates the arts. Indeed, with a passion for theater, music, literature, cuisine,

Title page of the autographed score of Dvořák's Ninth Symphony. Public Domain
Criticism
Edward A Kliszus

Largo from Dvořák’s New World Symphony

The Largo creates a virtual world within itself through its formal structures, expressing feelings associated with nostalgia, homesickness, death, and a yearning for the afterlife and, perhaps, better times. According to Anton Seidl, conductor of the NY Philharmonic Society orchestra for the 1893 world premiere of the work at Carnegie Hall, “it is not a good name, New World Symphony — it is homesickness, home longing (Biancolli 1947, 240).”

Cobbe portrait of Shakespeare. Public Domain
Criticism
Victoria L. Dammer

Shakespeare in the Afternoon

Shakespeare in the Afternoon is a group of erudite literati together for their weekly intellectual repast of reading Shakespeare.

So Like You Know Whatever

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