OpeningNight.Online Theater Logo

Behind The Notes with Maestro Raffaele Livio Ponti

Maestro Raffale Livio Ponti.
Maestro Raffale Livio Ponti.
Search by review category

An Outside Perspective

What does this picture of a leaf have to do with the Punta Gorda Symphony’s upcoming concert Dvořák Violin Concerto this Sunday 1/16/2022?

The answer was delivered during the two-hour “Behind The Notes” event given by Punta Gorda Symphony Music Director and Conductor Maestro Raffaele Livio Ponti, during which he introduced the audience guest soloist violin virtuoso Sirena Huang.

This is the first time they met.

Judging by the questions asked, I was the only one in the audience that could not read music or understand half the terms being thrown around. This was music appreciation 101 made intelligible to the common folk thanks to Maestro Ponti.

Back to the painting.

We watched as a drawing was made from dots of paint on a canvas. All yellow dots at first and you had no idea where this was going. As the dots filled in it became apparent it was a leaf. Maestro Ponti likened composers of music to the painter’s experience, it is not just a picture but a work of art. The yellow dots are one instrument in a composition. One dimensional. The rest of the orchestra adds other colors (Maestro Ponti stated a great pianist can make a rainbow).

He had me transfixed. Never having heard any of this before it was so revolutionary to me that I craved more information. “What about the blank segments on the page and what do they represent?” asked Maestro Ponti.


Maestro Ponti said “the time between the notes is at times more important than the notes and representative colors themselves. It is not always about the melody but said Maestro Ponti. He continued, “sometimes what we don’t hear what makes the piece…I remember when my parents were silent, it could be very loud.”

Maestro Ponti is a gift to the community. He’s witty and insightful and leaves you with more questions than when you came. “Do you have a moment, I’ll try to finish before you leave?” he asks, as he tells a personal story, one of many he weaves into his presentation.

A recording of the lecture would be helpful. Somewhere between the rhythm, intensity, values like whole, half, quarter, and eighth notes, counter melody, outside the framework – I could not keep up. All I could think of was the beautiful colors and spaces. Maestro Ponti noted, “I have a lot of free time to think about these things. There are only 12 notes to a scale, so we are not working with the large box of 64 crayons.”

Then we heard it.

He introduced the audience to Gamelan music of Indonesia. Having spent a good amount of time in Indonesia, I had been exposed to this but never knew its name or paid much attention to it. It was background music to a local dance show while ex-pats tourists ate dinner.

Now for the first time in Punta Gorda Florida, we were “hearing” the notes. Mostly percussion-like dots on a canvas, slowly at first, then all the dots/notes coming together and at you. It was such a different experience. Maestro Ponti showed a video of a Gamelan group observing, “The joy of making music – they are probably not unionized.”

Price of admission already recouped, enter Huang.

Sirena Huang is a graduate of the Julliard School and has won multiple awards for her mastery of the violin. Her demeanor and presence were soft and every movement was as if she were meditating.

Violinist Serena Huang performed one of her favorite pieces of music. Photo credit: Elizabeth Ann Foster.
Violinist Serena Huang performed one of her favorite pieces of music. Photo credit: Elizabeth Ann Foster.

Playing since the age of 4, at only 27 years of age, she had some inspiring words. “If you take away the library what will you read?” she said commenting on the current climate of arts in our world.

 I said to my husband, music critic for Opening Night Online, “wow did she bang out that tune,” to which he said, “I wouldn’t phrase it quite like that, but yes, she was marvelous.”

I am never short on words but as I got up to leave the auditorium, I was about four feet from Huang and all I could muster up was, “that was amazing” to which she slightly leaned forward and said, “Oh thank you so, so much.”

Punta Gorda Symphony Kick Off 2022

Behind The Notes – lecture by Punta Gorda Symphony Music Director and Conductor Maestro Raffaele Livio Pont, guest violinist Sirena Huang.

Friday, January 14 at 4:00 pm – $25 per person.

FSW Campus, Rush Auditorium, 26300 Airport Road, Punta Gorda. Tickets can be purchased online at Run time 2 hours.

Tickets to Sunday’s program are still available:

Samuel Barber | Essay No.1
Antonin Dvořák | Violin Concerto in A minor, Sirena Huang, violin
Jennifer Higdon | To the Point
Ildebrando Pizzetti | La Pisanella

 7:30 pm at the Charlotte Performing Arts Center, 701 Carmalita Street Punta Gorda Fl 33950. You can purchase tickets here or the Orchestra’s website at


Elizabeth Ann Foster

Elizabeth Ann Foster

Harvard-educated journalist and native New Yorker, Elizabeth Ann Foster is a master chef and founder of the Natural Epicurean Culinary School based in Austin Texas. She managed and trained natural foods' chefs at Casa De Luz community macrobiotic center serving downtown Austin and is a certified Chef from the Kushi Institute and Vega Center in holistic healing and vegetarian-based culinary cuisine. A world traveler with an international perspective and diverse interests, for nearly a decade she has written reviews of Broadway and Off-Broadway theatre for The Front Row Center and New York Theatre Guide, and currently resides in both Manhattan and beautiful Southwestern Florida.

All Posts

Sound Tracker – Gamelan (Indonesia)

More to explore...

The Company of the 2021-2022 national tour of CATS. Photo by Matt Matthew, Murphymade.

CATS at the Mayo Performing Arts Center

There are so many beautiful songs in the first and second acts, too many to list. Still, song after song and with mindboggling dance presentations, the theatergoers waited in anticipation to hear Grizabella’s full performance of Memory, and it didn’t disappoint. It was so powerful that everyone in the theater held their breath momentarily.

In a scene of The Conductor at The Theater for the New City. Above: Brian Simmons as Warren Chipp. Below: Imran Javaid as Shashi Parmar. Photo by Jonathan Slaff.

The Conductor at the Theater for the New City

The Conductor celebrated emotionally charged discourse governed by mutual respect, intellectual rigor, and passionate argument without the hostility, recriminations, and violence sometimes seen in today’s national debate. As with any well-crafted, intellectually fueled discourse, Reed’s work evoked exciting questions and ideas for viewers desiring continued debate.

Tyce Green in Turn the Beat Around at 54 Below. Photo by Gloria Alvarado

Turn the Beat Around at 54 Below

The thrill of the disco era returned to 54 Below on March 1 for an exciting night as the famous and glamorous nightclub opened the dance floor to all who came to participate in two sold-out shows of Turn the Beat Around.


Behind The Notes with Maestro Raffaele Livio Ponti

Notify of

Inline Feedbacks
View all comments
Would love your thoughts, please comment.x